Vogue Paris Original - YVES SAINT LAURENT - "La robe de mariée bohême".-

Haute Couture Spring/Summer 1976.-

 L´OFFICIEL DE LA MODE for LES EDITIONS JALOU.-

Very original bridal hairstyle that Claude Lalanne created for the collection of Yves Saint Laurent.   This is just a little crush openwork which consists of flower and branches intertwined copper metal.  A butterfly came to resto on the front. Long classic white tulle veil round neck tied with a small link is executed in a virginale chiffon.


 VOGUE 1590.- MISSES´BRIDAL DRESS, COAT AND VEIL (20 pieces). Loose-fitting and flared, ankle or floor length, pullover bias dress, with front and back gathered into narrow band, has narrow shoulder straps, and side snap closing. Attached -line slip, fitted through bustline, has side zipper closing. Loose-fitting coat, below-hip length or floor length with slight train, has scooped neckline and side slits. Full, full-length raglan sleeves gathered into narrow buttoned cuffs or flared full-length raglan sleeves. Front, back and sleeves are gathered to narrow bias neckband with attached tie ends. Veil of bridal illusion. Guide included in pattern to cut veil to desired leggth (Veil shown is five yards long). Purchases flower headpiece.

Special thanks to SUMMERSET

YVES SAINT LAURENT Haute Couture Printemps / Eté 1965 dans les revues de l'époque.-

Haute-Couture Printemps/Eté, collection MONDRIAN y POLIAKOFF.-

"...Est-ce une fois de plues pour attiser la curiosité ? Toujours est-il qu´Yves Saint-Laurent "Le petit Prince" de la couture, a tenua présenter sa collection una semaine après tout le monde. Mais cette curiosité, le célèbre jeune couturier l´a largemente satisfaite. Et l´assistance nombreuse qui a eu le privilège de se trouver à cette grande "première" a été à la fois comblée et merveilleusement surprise. La collection de la "rue Spontini" est en effet révolutionnaire. Révolutionnaire par la forme et la couleur de ses robes éclatantes, harmonieuses, contrastées, rappelant celles des peintres dávant-garde, mais aussi par leur simplicité et leur dépouillement comme en témoignent parfois l´absence de col et de manches. Collection où fourmillent les idées, où triomphent le goût et la fantaisie. Collection conçue por l´enchantement de la femme d´aujourd´hui....."

Légende: "Ensemble robe et manteau. La robe est en jersey deux tons, la jupe est très froncée, le manteau ample est souligné d´une piqûre à la hauteur de la poitrine."

Légende: "Manteau en lainage rouge avec un plastron blanc sur le devant. De forme droite, il se ferme par de gros boutons."
Légende: "Robe en jersey formée de larges carrés asymétriques aux couleurs opposées. Manteau en lainage blanc à col officier."
Légende: " Robe en jersey blanc entrecoupée de bandes en jersey noir. La manteau, en lainage rouge, aux emmanchures vastes, se ferme par de gros boutons."
Légende: "Ensemble très sport. la robe "trompe-l'oeil" en jersey, boutonnée sur le devant, est agrémentée de poches. Col chemisier. La manteau est en daim avec des manches en tricot torsadé."
Légende: "Ensemble robe et veste. Le corsage en jersey est agrémenté d´un col roulé, en tricot. La jupe est à peine froncée et la este droite a une large bande dans le bas, donnant un effect de blousant."
Légende: "Manteau en vison blanc formé de bandes travaillées horizontalement, et séparées par des lanières en cuir noir". " Manteau en vison, formé de bandes noires et blanches. La ceinture fine, en cuir, est nouée sur le devant."
Légende: "Manteau en vison entrecoupé de liens de daim avec une large bande sur le devant, en daim également."
Légende: "Robe en satin à taille très haute; la jupe est froncée, la ceinture, les manches, le col et le bas de la robe brodés de perles." "Robe en satin rose avec jupe froncée sur les côtés, corsage brodé de pierreries, et petit col en satin du même tissu que la jupe."
Légende: "Robe de forme souple en crépe. Empiécement et manches en lamé brodé."
Légende: "Robe en satin jaune avec taille haute, soulignée d´une ceinture en satin se terminant par un noeud. Le col et le bas de la jupe sont gansés de satin mauve."
Légende: "Somptueuse robe du soir. La jupe est en satin vert pâle, le corsage entièrement brodé. La taille haute est soulignée d´une ceinture en satin."
Légende: "Cette robe du soir, à taille haute, en lamé, se porte avec un petit boléro en lamé doré."

LIENS.-

Fondation Pierre Bergé/Yves Saint Laurent

Coiffure ALEXANDRE

MONDRIAN dans "Pattern-Vault"

Yves Saint Laurent dans MAGDORABLE

Vogue Paris Original 1557

Vogue Paris Original 1556 - 1567

GOOGLE

MONDRIAN.-

I invite you to read this post in PATTERN-VAULT. I think it's one of the best stories written about YVES SAINT LAURENT Mondrian dresses. You can also enjoy the links.

Related.-

Vogue Paris Original 1557

Vogue Paris Original 1556 - 1567

Vogue Paris Original - YVES SAINT LAURENT.- "L'ensemble tourmaline".

Colección Haute-Couture otoño/invierno 1989-90 ( Collection Jersey de laine et Brocart).


VOGUE 2603.- Misses´jacket, dress and sash. Loose-fitting, lined, below waist jacket, has bias collar, shoulder pads, side panels (no side seams), and long sleeves. Dress, evening length, has slightly extended shoulders, shoulder pads, loose-fitting, blouson bodice, straight, front pleated, mock wrap skirt, back zipper, long sleeves and pleated, shaped sash.

Vogue Paris Original - YVES SAINT LAURENT (Collection marin et paillette Bayadère).-

Printemps-Été 1966

Collection marin, casquette et paillette Bayadère.-

Abrigos de paño con doble botonadura, vestidos de punto bicolor con escotes geométricos, "cabans", pantalones de lana azul marino, y vestidos "pullover" de rayas "bayadera", de lentejuelas.

Túnica-blusón marinero y pantalón de la azul marino, colección de alta costura primavera-verano de 1966. Marie Claire (Francia), marzo de 1966. Fotografía de Marc Hispard.

Fotografía publicada en el catálogo de la exhibición YVES SAINT LAURENT - RETROSPECTIVA de la FUNDACIÓN MAPFRE.

Los patrones VOGUE.-

VOGUE 1618.- One-piece dress. Loose-fitting A-line dress with front neck opened to slightly above natural waistline. Dickey attached to underbodice. Long full sleeves. Welt pockets. Purchased or self belt. Version A has contrast dickey or dickey with sequins trim. Top-stitch trim. Version B has contrast dickey and braid trim.

VOGUE 1619.- One-piece dress. Semi-fitted empire style A-line dress has elbow length bell-shaped sleeves and deep square neckline with dickey. Version A has self banding with lace motif trim. Version B has constrast banding at neckline and on sleeves.

VOGUE 1620.- One-piece dress. Semi-fitted double breasted dress with button front opening has deep square neckline. Contrast or self fabric dickey. Sleeve ariations. Pockets in side front seams. Topstitch trim.

VOGUE 1690.- One-piece dress. High waisted dress with oval neckline has back button and zipper closing. Three-quarter length sleeves gathered on to bands. Flared skirt has gathered back. Belt with bow at back.

Special thanks to JEANNIE

Vogue Paris Original - YVES SAINT LAURENT.-

Colección "Haute-Couture" primavera/verano 1992.- "LES BAYADÉRES", Homenaje a Matisse y Marruecos.


In the picture.- LINDA EVANGELISTA wearing the dress.

VOGUE 1112.-

Misses´dress. Lined dress, above or below mid-knee, has collar, extended shoulders, shoulder pads, loose-fitting, pleated bodice with shaped side front seams, extension and snap closure, attached bias sash, straight, pleated skirt, pockets and above elbow or 3/4 sleeves with bands. Topstitching.

Robe au-dessus ou au-dessous du genou, doublée, avec corsage ample plissé à col-reves, carrure élargie, épaulettes, et manches au-dessus des coudes ou 3/4 à bandes, coutures côtés devants en découpe, prolongement et fermeture presionnée; jupe droite plisée á poches plaquées et ceinture-écharpe biaisée attenante. Surpiqûres.

Vogue Paris Original - YVES SAINT LAURENT.-

Printemps-Eté 1984.- Collection Tailleur Pantalon de Gabardine, Blouse d'Organdi.

Trajes pantalón de gabardina, blusas con cinturón-foulard de seda estampada (marino/blanco, negro/blanco), blusas de organza blanca con cintura drapeada, y "Les robes de mousseline".

VOGUE 1490.- Misses´dress. Dress, below mid-knee, or evening length, has loose-fitting bodice, yoke with forward shoulder seams, extended shoulders, shoulder pads, midriff, straight skirt, front zipper and long sleeves. B: Front hemline slit.

This pattern still available at MOMS-Patterns

VIOLETA SANCHEZ - Yves Saint Laurent RIVE GAUCHE F/W 1984/85.

VOGUE 1448.- Misses´jacket, pants and blouse. Fitted, lined, above hip jacket has notched collar, shoulder pads, side panels (no side seams), patch and welt pockets and long two piece sleeves with button vent. Straight-legged, pleated pants have wide waistband with carriers, slanted pockets, mock fly zipper and bias contrast sash. Loose-fitting, pullover blouse has bias collar with ties, back neck slit with button/loop. Shoulder pads and long sleeves with bias cuffs. Linked buttons and purchases cuff links.

This pattern still available at PATTERN-VAULT on ETSY

Vogue Paris Original 2912 - YVES SAINT LAURENT (The print pajamas).-

Colección Haute-Couture primavera/verano 1973 (Collection veste-chemise, pantalon de flanelle et pyjama imprimé).- Chaquetas-Camisa de lana, denim, gabardina, con pantalones de franela. Pijamas de crep estampado, cárdigans bordados y vestidos de punto de seda drapeados al estilo "griego".

VOGUE 2912.- Misses´top and pants. Unconstructed top (no interfacing or shaping materials). Loose-fitting lined top has bias notched collar, short or full length sleeves with turn-back cuffs, patch pockets and self tie belt holding in fullness at waistline. With or without contrast corded piping and tassels on belt. Wide, straight-legged pants darted into wide waistband have front pleats, cuffs, and front zipper closing.

Vogue Paris Original YVES SAINT LAURENT "Les robes jersey rayé".-

Foto.- L´Officiel de la Mode - Les Éditions Jalou.

Primavera-Verano 1975.- "Collection jersey de soie rayé et Jumpsuit".

Marineras, vestidos de punto de seda rayados, monos pantalón, smoking jumpsuit, chilabas de muselina, y vestidos asimétricos de crep de china estampado.

VOGUE 1291.- Misses´dress. Close-fitting, unlined coatdress, three inches below mid-knee buttoned band closing and full-length sleeves with zipper closing or short sleeves. Topstitch trim. With or without purchased belt. Self-scarf has hand-worked tassel trim. For stretchable knits only. NOTE: Because of fabric and construction, machine zig-zag stitching is necessary.

VOGUE 1292.- Misses´dress. A-line, pull-over, blouson sleeveless dress (close-fitting bustline) in four inches below mid knee or evening lengths, has round neckline, front-buttoned closing, drawstring waistline and pockets in side seams. Dress has contrast banding, draw string and purchased tassel. Topstitch trim.

VOGUE 1293.- Misses´Jacket, top, scarf, skirt and pants. For stretchable knits only. Simi-fitted jacket (optional lining), has jewel neckline, front-buttoned band closing, patch pockets and full-length sleeves. Topstitch trim. Clos-fitting, hip-length sleeveless, top (optional partial lining), has slightly scooped neckline. Self or contrast band trim. Oblong scarf has hand-worked tringe tassels. Slim lined skirt, three inches below mid-knee length has waistband and side zipper closing. Wide, straight-legged pants have front-buttoned waistband and mock fly front zipper closing.

Special thanks to JEN and ANNE-MARIE

Vogue Paris Original - YVES SAINT LAURENT

VOGUE PATTERN MAGAZINE august/september 1972.-

Pag. 50.-
Vogue Paris Original 2727-Yves Saint Laurent. Jacket, skirt, pants (Pin by KJL, Bracelets by Coro. Beret by Madcaps. Shoes Charles Jourdan).
Vogue Paris Original 2725-Christian Dior. Jacket, pants, shirt (Shoes by Herbert Levine. Bracelet and earrings by Napier).

Pag. 55.-
Vogue Paris Original 2748-Yves Saint Laurent. Suit, blouse (Hosiery by Round the Clock).
Vogue Paris Original 2741-Givenchy. Dress (Bracelet by Napier. Bag by Lederer. Hosiery by Belle Sharmeer).

Pag. 58.-
Vogue Paris Original 2724-Christian Dior. Dress (Bag by Lederer. Bracelet by KJL. Hosiery by Burlington).
Vogue Paris Original 2729-NINA RICCI. Dress (Hosiery by Berkshire. Bracelet by Napier).
(Información adicional sobre VPO 2729 - Aditional information about VPO 2729).
Pag. 59.-
Vogue Paris Original 2728-Yves Saint Laurent. Dress (Bag by Lederer. Hosiery by Hanes).

Pag. 13, 20 y 53.-
Vogue Americana 2734-Bill Blass. Jacket, skirt, vest (Bag by Lederer. Gloves by Aris. Sweater by Jane Irwill. Hosiery by Roman Stripe) Información adicional sobre Vogue 2734 (Related post about Vogue 2734).
Guia de la moda masculina y tutoriales sobre su ejecución (Men's fashion guide and sewing tutorials).
Tendencias faldas (Skirt trends).- Merece especial atención esta página, pues reconozco mi propia inspiración en las tendencias de los años setenta: Faldas evasés, plisadas o portafolio (I have special attention to this page, as I recognize my own inspiration in the seventies trends: flared, pleated or wrap skirts).

LOS PATRONES VOGUE (vogue patterns).-

VPO 2728. Misses´dress. Shaped, loose-fitting shirtdress, two inches below knee or evening length, has front and back gathered into one´piece yoke, buttoned front band closing, pointed collar, inverted pleat at center front and side pleats. Topstitch trim. Full length sleeves are gathered at caps and into French cuffs with shirt sleeve plackets. With or without purchased belt.

VPO 2727. Misses´jacket, shirt and pants. Loose-fitting unlined jacket has pointed collar, band closing patch pockets, one-piece yoke and shirt sleeves. Topstitch trim. Loose-fitting shirt gathered into one-piece yoke has pointed shaped collar, band closing and full length gathered sleeves with plackets and buttoned cuffs. Topstitch trim. Wide-legged, slightly flared pants with fly closing are darted into contour buttoned waistband. Topstitch trim.

VPO 2748. Misses suit and blouse. Loose fitting, slightly shaped jacket has bias notched collar, back yoke, patch pockets, padded shoulder and full length sleeves with vents, button and buttonhole trim. Self belt holds in fullness at waistline. Slightly A-line gored skirt, two inches below knee has side zipper closing and waistband. Loose-fitting tuck-in blouse has pointed collar and front and back bodice gathered to one´piece yoke. Full length sleeves gathered into French cuffs. Self scarf ties into bow. Topstitch trim.

<

VPO - Yves Saint Laurent (Eye on fashion advertising 1975) "Les Robes Chemise".-

VOGUE PATTERNS april 1975 - EYE ON FASHION.- Yves Saint Laurent Haute-Couture collection fall-winter 1974/75 : "Painter's blouse" coat and liberty dresses.

Special thanks to: SARAH

VOGUE 1194. Misses´dress, tunic and pants. Loose-fitting, below knee length dress or tunic, (without side seams) has narrow shaped neckband with attached tie ends, front and back gathered to lined yokes, full length sleeves gathered at cap and into wide buttoned cuffs, se into square arnholes, pockets in side front seams and inset front buttoned band closing. Wide, self or purchased belt holds in fullness at waistline. Straight-legged pants, darted into waist-band, have font zipper closing.-

VOGUE 1195. Misses´dress. Loose-fitting, slightly shaped dress, in below mid-knee or ankle length has turnover collar extending to self tie bow, front and back edgedstitched one-way pleats released at hipline and front-buttoned closing. Full, full-length sleeves, gathered at cap and into wide buttoned cuffs.-

VOGUE 1196. Misses´evening dress. Loose-fitting, lined, evening length dress has ruffled collar gathered to shaped collar band, attached tie, front and back gathered to yoke, gathered hem ruffle, and inset front band with concealed button closing. Full length sleeves, gathered at cap into wide buttoned cuffs, are ser into square arnholes.-

Vogue Paris Original 1209 - YVES SAINT LAURENT

Colección "Haute-Couture" primavera/verano 1992.- "LES BAYADÉRES", Homenaje a Matisse y Marruecos.

Vogue 1209.- Jacket, belt and skirt. Loose-fitting, lined below hip jacket has notched collar, slightly extended shoulders, shoulder pads, princess seams, pockets, long, two-piece sleeves, carriers and belt. Semi-fitted, straight skirt, above mid-knee, has waistband, side front and side back seams, welts pockets and side back zipper.

Vogue Paris Original - YVES SAINT LAURENT

VOGUE PATTERNS MAGAZINE, edición marzo-abril 1977.-

Páginas centrales "PARIS TO YOU" - Yves Saint Laurent. Fotografía de CHRIS VON WANGENHEIM.-

Páginas centrales "ST.LAURENT JOINS OUR MAN IN VOGUE". Fotografía de CHRIS VON WANGENHEIN.-

VOGUE PARIS ORIGINAL 1642. Corselet and skirt. Lined-to-edge, above-hip length corselet top, close-fitting and slightly flared over high hip, has shoulder straps, princess seaming and front-laced closing with self or purchases drawstring. Flared, four-gore bias skirt, four inches below mid-knee or ankle length, with front and back gathered into waistband, has side zipper closing and pockets in side seams.-

VOGUE PARIS ORIGINAL 1646. Blouse and skirt. Loose-fitting blouse, with front, back and sleeves gathered into neckband, has front and back square neckline and front-buttoned band closing. Full, elbow length or full-length raglan sleeves are elasticized at lower edge. Topstitching. Dirndl skirt, mid-calf or ankle length, with front and back gathered into waistband, has pockets in side seams and side zipper closing. Lower skirt, pleated to upper skirt, forms self ruffle. Purchases braid and rick-rack trim variations.

Special thanks to SUMMERSET